Tuesday 6 August 2013

Modern Standard - Kevin Tihista

Unpicking the influences of Kevin Tihista is like opening the encyclopedia of sunshine pop if such a book existed (which it should). His musical tweets point to a love of power pop, straight-ahead '70s soft rock and big ballads - basically anything with a yearning melody. This new album prostrates itself at the feet of these influences and embellishes the addictive melodies with lush guitar solos draped in gold-leaf arrangements and a mid-summer haze of feeling good/ feeling bad/ feeling jealous with lyrics that startle and surprise.

There is an undisguised confessional aspect to his songs, an inward-looking sense of under-achievement and frustration - if only the world would change then everything would be OK. But this disdainful world view is couched in a nonchalance and spontaneity that comfortably overrides any atmosphere of negativity.  A very real sense of the person behind these songs begins to emerge - not all of it pleasant - but the naive romanticism, the lush pianos and the rich, golden hues of the production provide a gloss and a sheen which imbue a truly timeless quality to these songs. The arrangements build layer upon opulent layer to the point they seem ready to burst only to be punctured, for example, by Tihista's uncontrolled lust for his girlfriend's "beautiful ass" ('Sequisha Chiungade Picante').

Elsewhere, 'Happy People, Shut Your Mouths' is the finest lyric Morrissey has yet to write - a tirade of self pity but with a choral backing that elevates it to a song of infinite wisdom; 'You Don't Make Sense' begins with a murky guitar figure that gently gives way to a pulsing disco beat and then to an addictive electric guitar which screams 'SUN' and 'BEACH' - even though Tihista is in the process of dumping a girlfriend, maybe just because of her broken English; 'On My Way' could be straight out of the Fred Neil song book - a cheery optimistic closer in which Tihista appears to be finally taking responsibility - the synth hook emerges mid-song (and doesn't go away) like a carefully-crafted Richard Carpenter masterpiece, except it has a throwaway feel which had me listening repeatedly, in awe at how it could sound so immediate yet so rooted in conventional songwriting. I've since re-visited Matthew Sweet's 'Girlfriend' and experienced a similar feeling.

'Modern Standard' appears to be a collection of old songs which Tihista has been looking to release for some time. It's unlikely to make many end of year lists (except mine) which typically crave innovation and originality. I would argue that these songs stretch an already sophisticated songwriting template, revealing themselves as examples of perfectly crafted modern pop with a lyrical twist that absolutely sets them apart from and above anything of its kind I've heard for a very long time.

http://www.brokenhorse.co.uk/